Part of the joy of the New Year for me is starting to pull together the plans of what to photograph during the year. As the Old Year ebbs away I spend the last few days quietly, reviewing the year, asking questions of myself…what did I hope to achieve and how much of it did I actually get done…and what would I like to accomplish in the year to come in terms of my writing and/or photography.
This year I have many posts to catch up on, as although I have photographed several Cathedrals including Peterborough, Lincoln and York I have not posted on them as yet. I also am planning two specific trips this year, the first to Dunkeld Cathedral, and the second to Crathie and Balmoral churches.
So here is a wee taster of what is to come…


York 16 KeysYork 19 Detail of canopyYork 8 The Kings ScreenYork 108 York GospelsNAVAL 3GP 2ARMY ALTAR3 SERVICE CHAPELSIMG_20171229_192502_007.jpgIMG_20171229_193027_224.jpgPb 142 Katherine of Aragon's tombPb 135 High Altar Ceiling DetailPb 129 High AltarPb 128 CeilingPb 117Pb 37 Lamb of God


The Hebrew Poetry of Meir: A Norwich Jew: 1290

Meir of Norwich (Flourished 1290)
We know next to nothing about Meir ben Elijah: not his date of birth, what he looked like or how he spent his life in medieval England. Shakespeare’s life, by comparison, is well documented. However, we do know that he lived in Norwich because the acrostics in his Hebrew poems tell us so. In his long poem about the Exodus we are told: ‘I am Meir, son of Rabbi Elijah from the city of Norwich, which is in the Isle called Angleterre’.

Norwich Synagogue

Six-pointed star at Norwich Synagogue

The rest of his life remains supposition. Did he write the poems in Norwich or were they written after the expulsion of the Jews in 1290? Did he actually survive the expulsion? And how did the manuscripts of his poems end up in the Vatican archive in Rome? Nevertheless, the fact that he left a tangible record of his life in the City at the end of the 13th Century is really quite remarkable. It is also a testament to the age and breadth of  Norwich’s literary heritage

V.D. Lipman’s book The Jews of Medieval Norwich tells us that there was a thriving Jewish quarter in the city at this time and that it was located  between the Haymarket, Orford Place and White Lion Street. There was also a synagogue which is believed to have stood close to the site of the present-day Lamb Inn.

The most interesting of Meir’s poems from an historical perspective is undoubtedly Ode to Light which is a powerful piece of writing telling of the oppression and suffering of the Jewish community. In the fourth verse he states that: ‘We languish, suffering in the land/ And hear the brute’s insults,/And steadfastly do we endure/  While waiting for the Light.’ He continues in the next verse: ‘A heavy yoke on us they lay/ Commanding and compelling/That we abandon and forsake/ Our only hope and Light.’ Meir is quite clearly trapped in England at a time of great unrest. The poem concludes: ‘Since midst mine enemies I’m placed/ Arise and plead my cause/Uphold the Kingdom of my Lord/ Let Light shine through the Light.’

There is one clue to Meir’s identity because the records show that there was a Jew called Milo Kat living in Norwich around 1290 and it has been suggested that ‘Milo’ is an equivalent for ‘Meir’. In the sixteen short poems another acrostic tells us that he is: ‘Meir son of Elijah the Hozeh’ and Lipman has suggested that his father may have been an astronomer for the word ‘Hozeh’ can be translated as ‘seer’. There is evidence to support this, Lipman claims, in the fact that the Jewish community had a scientific leaning – evidenced by the presence of two physicians, the father and son Isaac and Solomon, and that Solomon had the earliest recorded herb garden in England.

Meir’s work shows characteristics of German, Northern French and Spanish Hebrew ‘piyyut’ poems – i.e. that they are liturgical in form and frequently feature acrostics. They were originally discovered in the Vatican Library by Abraham Berliner (1833-1915) who was a German-based expert in Jewish history and literature. Translations of the poems are available in the local studies section at The Forum in Norwich.

After the expulsion in 1290, there was no Jewish community in Norwich again until the middle of the 18th Century. A new synagogue was built in 1849 on Mountergate, but it was unfortunately destroyed during the air raids of 1942. The synagogue today is located on Earlham Road opposite the Roman Catholic Cathedral.

Norwich has another Jewish literary link in the form of Arnold Wesker‘s play Blood Libel which was first performed at the Playhouse in 1996. It took as its subject the ritual murder of a boy named William of Norwich whose body was discovered on Mousehold Heath in 1144. The Jewish community of the time were accused of slaughtering a Christian boy to use his blood for Passover. The play enacts the accusations and counter accusations and the belated attempt to turn William into a martyr.


Saving the 500 year old Papal Bull: St Duthac: Tain

Hot off the press today, we are in the news here…

Papal Bull

Volunteers at a small Highland museum have turned to a 21st Century method of fundraising in order to save a 500 year-old document. The trustees of the Tain and District Museum have started a crowd-funding campaign in order to raise enough money to preserve an historic Papal Bull.

The parchment established the Ross-shire town as a key religious centre in Scotland. The museum hopes to raise £800 to conserve it. Dated 17 July 1492, the Papal Bull confirmed the status of the Collegiate Kirk of St Duthac of Tain, a place of pilgrimage and sanctuary visited regularly by King James IV. The document was the Pope’s way of recognising and defending a religious order or settlement.

Written on vellum, the ancient parchment has the original lead papal seal attached to it by a silken chord of red and yellow strands. It bears the name of Pope Innocent VIII and carries the signature of his cardinal secretary Alessandro Farnese. Farnese went on to become Pope Paul III – the pope who excommunicated King Henry VIII.

Tain’s Papal Bull is not on public display because of its deteriorating condition. The museum plans to professionally conserve the document and create a high quality digital facsimile to display in the museum. Chairman of the Trustees Alastair Jupp said: “We have not been able to display The Bull for some time due to its condition. “This important document has been in our trust for over 500 years and we feel it is our responsibility to preserve it for future generations.”

The Collegiate Church in Tain was built to house the bones of St Duthac, an 11th Century preacher born in the town who is said to have performed a number of miracles.

King James IV is said to have made a pilgrimage to the shrine every year for 20 years. James V and Robert the Bruce are also believed to have visited the church.